我对传统文化崇拜而痴迷,于篆刻创作,则一直还处在“摹拟为乐”的阶段,大致是规秦范汉和细朱满白这样的路数,这也是基于我对传统的敬畏。汉玉印中未臻精整、尚保留制作时轮转碾砣之迹者,最让我倾心,近年创作虽力抚其意,惜未能得其万一。流派印中我则偏嗜于王福厂与陈巨来这样工细雅洁的印风,觉得与我个人的性情比较契合,为友 I am addicted to traditional culture worship. In the creation of seal cutting, I have been still at the stage of “imitating as a music”, which is roughly based on the ways of regulating Qin and Han and fine Zhuang White, which is also based on my awe of tradition. Han jade India not finishing, still keep making production when the revolving grind of the trace, the most let me enamored, although in recent years make sense of its creation, but unfortunately failed to get it in case. Genre printing I am partial to Wang Fook factory and Chen Julai so fine and clean Indian style, I feel more in line with my personal temperament, as friends