Structural and Geochronological Evidence for Multiple Episodes of Tertiary Deformation along the Ail

来源 :Acta Geologica Sinica(English Edition) | 被引量 : 0次 | 上传用户:chinesechinese123456
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
Structural analyses show that the Ailaoshan-Red River shear zone (ASRRSZ) in Ailao Mountain is composed of three different deformational domains. These domains may represent three episodes of left-lateral slip experienced by the ASRRSZ. The first episode of such deformation occurred throughout the eastern high-grade belt of the ASRRSZ under a transtensional regime and produced L- type tectonites of amphibolite grade. The second episode of left-lateral slip formed high strain zones overprinting the high-grade belt. Its deformational mechanism is similar to simple shear and the deformed rocks are L-S mylonites of greenschist grade. The third episode of left-lateral slip took place chiefly in a western low-grade belt of the ASRRSZ. This deformation occurred in a transpressional regime, formed an overall structure pattern of a sinistral thrust system and produced phyllonites of low-greenschist grade. Geochronological data indicated that the three episodes of left-lateral slip happened before ~58?56 Ma, at least from ~27 Ma to 22 Ma and at ~13?12 Ma respectively. The first episode of slip in the ASRRSZ appeared to correspond to the initial collision of India and Asia at ~60 Ma. The second episode took place almost at the same time as the most intensive compression and uplift in Tibet. The latest event might represent a further eastward material flow in Tibet after ~16?13 Ma. Thus, the ASRRSZ of southeastern Asia probably experienced three main episodes of Tertiary left- lateral slip in the course of intracontinental convergence since the India-Asia collision. Structural analyzes show that the Ailaoshan-Red River shear zone (ASRRSZ) in Ailao Mountain is composed of three different deformational domains. These domains may represent three episodes of left-lateral slip experienced by the ASRRSZ. The first episode of such conditions occurred the the eastern high-grade belt of the ASRRSZ under a transtensional regime and produced L-type tectonites of amphibolite grade. The second episode of left-lateral slip formed high strain zones overprinting the high-grade belt. Its deformational mechanism is similar to simple shear and the third episode of left-lateral slip took place chiefly in a western low-grade belt of the ASRRSZ. This deformation occurred in a transpressional regime, formed an overall structure pattern of a sinistral thrust system and produced phyllonites of low-greenschist grade. Geochronological data indicated that the three episodes of left-lateral slip happened befo re ~ 58 ~ 56 Ma, at least from ~ 27 Ma to 22 Ma and at ~ 13 ~ 12 Ma respectively. The first episode of slip in the ASRRSZ was to correspond to the initial collision of India and Asia at ~ 60 Ma. second episode took place almost at the same time as the most intensive compression and uplift in Tibet. The latest event might represent a further eastward material flow in Tibet after ~ 16? 13 Ma. Thus, the ASRRSZ of southeastern Asia probably experienced three main episodes of Tertiary left-lateral slip in the course of intracontinental convergence since the India-Asia collision.
其他文献
随着我国近几年来社会经济的快速发展和人们生活水平的不断提高,我国的很多中小企业也如雨后春笋般开始大批量的出现,成为了推动我国经济快速发展的重要力量。一般的中小企业
纪录片在中国似乎长期属于小众的审美产物。尽管近年来,依靠大手笔的投入和精良制作,也产生了一些有影响力的纪录片,如《大国崛起》《故宫》等,但这些作品毕竟難以成为高度市场化的中国电视节目市场的常态。而《舌尖上的中国》播出后受到空前欢迎,它把目光投向老百姓日常生活,以近乎原始形态的影像素材来构建叙事结构,展现个人化的生活日常,达到蕴含具有人类通感的生存意识和生命感悟。但它的成功毕竟是一个孤例。昙花一现,
今年7月23日是著名记者、学者、戏剧研究者曹聚仁逝世31周年。他的女儿,著名话剧演员曹雷曾这样写道:‘我的父亲曹聚仁并不是一个戏剧工作者,但他确是一名戏剧艺术爱好者.用
目的:探讨恶性黑色素瘤中C蛳erbB蛳2、p53、p16蛋白的表达及其相互关系。方法:应用免疫组化S蛳P法对14例恶性黑色素瘤和39例色素痣组织中C蛳erbB蛳2、p53、p16蛋白表达进行检
《公安应用写作》是公安高等教育以及民警培训开设的一门必修课程,其目的是培养学生及公安民警的职业写作能力,提高职业活动中的工作效率。但在以往的教学中,往往把《公安应
一个位卑职微、执锄荷担的农民,在上世纪60年代“一大二公”的背景下,逆流而上,斗胆上书倡导“分田到户,实行单干”。他,铁肩担道义,妙手著文章,以农民朴实而执著的头脑,在田
在某个时代的百老汇,一个制作人做了笔赔钱的剧目,前来核查帐目的小会计却发现赔钱的剧目反而比赚钱的剧目能给制作人带来更多的收入。于是,俩人开始合作,准备做一出史上最烂
酷爱西式艺术的赵荣认为:“在中国西式艺术市场油画是主流,但将来公共艺术市场价值有升值潜力。西式投资除油画外,还有水彩、素描、综合材料、壁画等,因此收藏面不要太窄。
当前,我国影视艺术教育的发展状况有了许多新的变化,必须加快构建影视艺术教学模式的步伐,本文主要从当前我国影视艺术教育发展的基本状况入手,进一步分析了构建影视艺术教学
20世纪初,在西方学术观念影响下,现代学术意义上的俗文学研究兴起。粤剧的研究也以此为肇始,进入学术殿堂。