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《我们夫妇之间》蕴含着受规训的知识分子个体主体性言说的叙事策略。小说潜藏着抵制、消解了权威意识形态的话语声音,体现了被规训的知识分子对权力话语的潜在抗争。“丁玲”式的批评彰显了知识分子型文化管理层群体操持文艺批评话语的政治意识形态化趋向;对萧也牧的批判体现了新政权占领城市时,革命话语面临被抵制、消解时产生的焦虑和警戒意识。批判活动标志着以“指导文艺思想、文艺运动”为职责理念的《文艺报》编辑群体有组织地对国家政治意识形态功能的一次权力实施。建国初,国家政权致力于建构革命话语权威地位,这次批判活动与该策略紧密相关。
“Between our husband and wife” contains the narrative tactics of the subjectivity of the individual intellectuals subject to discipline. The novel lurks a boycott, dissolving the voice of the authority of the ideological discourse, reflects the disciplinary intellectuals potential discourse power struggle. The criticism of Ding Ling demonstrated the trend of political ideology of the literary and cultural management groups in holding the critical discourse of literary criticism. The criticism of Xiao Yemu reflected that when the new regime occupied the cities, the revolutionary discourse was boycotted and eliminated Anxiety and alertness generated. The criticism marks a group of editors of the “literary newspaper” organized by the editorial board “Guiding Literary and Art Thought and Literary Movement” as their duty concept and organizing the implementation of a power of the state’s political ideology in an organized manner. At the beginning of the founding of New China, the state power devoted itself to constructing the authority of the revolutionary discourse. This critical activity is closely related to this strategy.