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莫言文学作品在世界文坛留下了浓墨重彩的一笔,然“墙里开花墙外红”的惊诧效应引发国内文学界包括“追其名而读其书”读者热议的轩然大波。文学作品通过作用于读者的审美心理而产生“文以载道”的审美效应,然莫言已被封为文学桂冠的作品对于国内读者的审美心理是叛逆式的自虐、自嘲、自省的审美效应,这里的“中国元素”是“哈哈镜”中的映象,是审丑到荒诞的映象,是嘲笑和讽刺笔触下意象手法的匠心运用,既令读者不忍正视,也令读者不得不正视。
Mo Yan’s literary works have left an indelible mark in the world literary world. However, the astonishment effect of the “red wall outside the wall” has aroused the uproar in domestic literary circles, including the readers who read their names. Literature works through the aesthetic psychology of the readers to produce the aesthetic effect of “writing in the passage”, but the works of the works that have been sealed as the laurels of literature are the rebellious masochistic, self-deprecating and introspective aesthetic Effect, where the “Chinese element” is a reflection of the ugly image of absurdity, a ridiculous and satirical use of the imagery of the brush strokes. This not only makes the reader can not bear to face it, Readers have to face up.