对于一个即将不适合用“一直二在奔三路上”调侃自己的八零后北漂族来说,郎宜划在近几年“逃离”或“返回”北上广的潮流中都表现得相对平和:即便在满城日益严重的“雾霾叙事”下,也依然“扎根”在帝都的艺术行业里,“尽一兵一卒之力,取一餐一粥之酬”。虽然在短短几年内已经换过至少三四个东家:艺术家工作室、美术馆、艺术传媒公司、画廊等等,用其自己的话说:做垮过民办美术馆,做倒过外籍画廊,——当然掌舵的也不是郎宜划,究其原因,恐怕还是与这些机构自身定位和运营以及投资者的态度有关。 For a country that is about to become unfit for “ridicule” its own 80-year-old North drift tribe who is going to be on the road to Penang for three years, Lang Yizhong should follow the trend of “fleeing” or “returning” to the north in recent years Are relatively calm: even in the city increasingly serious “haze narrative ”, still “rooted ” in the art industry in the Royal Park, “to make every single force, take a meal A porridge reward ”. Although at least three or four clubs have been changed in just a few years, artists’ studios, art galleries, art media companies, galleries and so on, in their own words, do collapsing private art galleries and doing foreign galleries, Of course, the helm is not Lang Yi planning, the reason, I am afraid it is still with their own positioning and operation of these institutions and the attitude of investors.