吴月霖先生的墨竹杆如篆、枝如草、叶如真、书如隶。画竹远宗文同、苏轼“浓墨为面,淡墨为背”之妙理。他成竹于胸、托物寄兴、抒发情怀,有直逼“富潇洒之姿,逼檀栾之秀”之美誉也。吴先生神追五代李夫人“见竹影婆娑映于窗纸、乃循窗纸而摹写”。逐形成了气清、骨雅、神奇之画 Mr. Wu Yulin’s ink bamboo sticks such as Zhuan, Zhirucao, Ye Ruzhen, books such as Li. Painting bamboo Yuanzong Wen Tong, Su Shi, “thick ink for the face, light ink for the back,” the trick. His knowledgeableness in his chest, care to send Xing, express feelings, almost equal to the “rich and handsome posture, force Tanliluanxiu” reputation also. Mr. Wu chasing five generations of Mrs. Lee “See bamboo shadow woman reflected in the window paper, but through the window paper and copy.” Gradually formed Qi, Gu Ya, the magic of painting