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F·Scott菲茨杰拉德是美国文坛二十世纪三、四十年代现代派纪实作家的代表人物。他既写长篇又写短篇,其长篇光辉灿烂,享誉欧美大陆;可其短篇却缩在长篇的阴影下,始终得不到重视。究其原因,除了作者本身看轻自己的短篇之外,主要是他在不经意之中所创造的独特短篇小说形式(即短篇压缩模式)与当时流行的小说形式完全不同,因此不被读者和批评家所接受。作者通过大量阅读和详尽分析,挖掘出这一鲜活的独特模式,希冀能对我国外国文学的学习与研究有所裨益。
F Scott Scott Fitzgerald is a representative of modern literary writers in the American literary circles of the 1930s and 1940s. He not only wrote long and short stories, but also enjoyed a long history of glory and reputation in the European and American continents. However, his short stories were reduced to the long shadow and never valued. The reason for this is that apart from the author’s own shortness of his own shortness, it is mainly because the unique form of short stories he created inadvertently (ie, the short form of compression) is completely different from the popular form of the novel at the time, and thus not to be read by readers and critics Accepted. The author digs out a unique and vivid pattern through extensive reading and detailed analysis, hoping to benefit our foreign literature study and research.