我们走进远古,去窥视原始艺术的遗存,会生发出怎样的冥想呢?在这些祖先智慧结晶的面前,在充满着原生意味的图式中我们被感动的又将是什么呢?在不断探究的同时好像也在不断地拉近这时空的间距,其结果是不时地闪现出启悟的愉悦,这就是原始人类留给我们的让现代艺术家们感到惊愕的极富神秘色彩的艺术作品。呈现的是原始宗教活动和生活场景,这也是让我们感知原始人类创作意图的最好媒介,我们现在看来它所展现的各种形式的图示美感,显然具有一定的艺术创作的不自觉性,它暗含的是现代艺术创作中几乎已经缺失的朴素与单纯。我们无法考证当时具体的创作过程,但这些作品留给我们更多的是神秘而难解的悬念以及对其精神探询的渴望。 What kind of meditation will we give when we go into ancient times and peek into the remains of primitive art? What are we touched in the schema full of original meaning before these ancestral wisdom crystallize? At the same time seems to be constantly narrowing the space-time interval. The result is flashing enlightenment from time to time. This is the very mysterious artwork that the primitive humans left to us to amaze the modern artists. The original religious activities and scenes of life are presented. This is also the best medium for us to perceive the primitive human intention of creation. Now it appears that the various forms of pictorial aesthetics that it presents clearly have certain unconsciousness of artistic creation , Which implies the simplicity and simplicity of modern art creation that have almost disappeared. We can not examine the specific creative process at that time, but these works leave us with more mysterious and intractable suspense as well as the desire for their spiritual inquiry.