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近年来,音乐批评日益受到学者们的关注,在此方面明言先生可谓是浓墨重彩的一笔。笔者有幸拜读了明言先生的《20世纪音乐批评导论》一书,该书对音乐批评学科的发展提出了六大观点。笔者通过逐个对比明言先生的所作所为,发现其论点与其音乐批评的实践相互印证,自成一体,可谓是知行合一。借此笔者也提出了自己对音乐批评未来发展的观点。
In recent years, the criticism of music has been paid more and more attention by scholars. In this respect, it is an eminent noteworthy gentleman. I had the privilege of reading the Ming dynasty, “Introduction to Music Criticism in the 20th Century,” a book on the development of music criticism made six major points. By contrasting the works made by Mr. Ming Yan one by one, the author finds that his argument and his practice of music criticism are mutually reinforcing and self-contained, which can be said to be a combination of knowing and doing. As a result, I also put forward my own views on the future development of music criticism.