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(台湾)人间出版社2015年7月出版“五四”文学革命之后,现代文学观念传入中国,现代批评得以在中国建立和展开。这种现代性特别表现在诗的批评上,一种基于现代诗学观念和批评方法的“诗的新批评”在二十年代发轫,到三四十年代持续深入开展。从二十年代末开始,它沿着两个方向展开:一方面是对于来自英美新批评特别是其代表人物瑞恰慈和艾略特之理论方法的介绍、消化与应用,另一方面则是大中学校国文教学尤其是经典诗歌的教学,直接催生了对古典诗歌文本加以现代阐释的新批评之实践。这两个方面
(台灣) 人間 出版社 Published in July 2015 After the literary revolution of the May Fourth Movement, modern literary concepts were introduced into China and modern criticism was established and started in China. This modernity is especially manifested in the criticism of poetry. A “new criticism of poetry” based on modern poetics and criticism developed in the 1920s and continued to flourish in the 1930s and 1940s. Beginning in the late 1920s, it started in two directions: on the one hand, it introduced, digested and applied the theoretical methods from the new criticisms of Britain and the United States, especially its representatives, Richertz and Eliot; on the other hand, The teaching of Chinese teaching in middle and high schools, especially classical poetry, has given rise directly to the practice of the new criticism that modernizes classical poetry texts. These two aspects