“风景”本是艺术史学科中最为经典的命题之一,将现实环境的自然属性与精神领域的思维加工叠置,呈现物质世界被观看、感知、理解、改造直至被解释的过程。传统图像研究将风景画作为一种重要的艺术类型,通过研究地上景观的视觉传达,探讨其背后的社会指向与文化意涵。而今随着艺术史研究领域的拓展,风景问题已超越了对于图像本身的文化读解。特别是全球城市化进程带来的新型的城市景观及其复杂的多样化 “Landscape ” This is one of the most classic propositions in the history of art history. It superposes the natural attributes of the real environment and the thinking in the spiritual realm, and presents the process by which the physical world is viewed, perceived, understood and transformed until its interpretation. Traditional image research regards landscape painting as an important art genre, and explores the social orientation and cultural meaning behind it by studying the visual communication of the landscape aboveground. Nowadays, with the development of the field of art history research, the landscape problem has surpassed the cultural interpretation of the image itself. Especially the new urban landscape brought by the global urbanization process and its complicated diversification