戏剧,当其脱离祭礼仪式而独立为演出品类之后,它的原本仪式性以及仪式意义并没有消失殆尽。一方面,它的形态迄今仍具有仪式性,重要的在于它的这种仪式性同样继承了祭祀礼仪的规范。中国经历了一个长久的乡土社会,而乡土社会孕育了地方戏的特点。地方戏意味着相对的稳定性,对泥土的眷恋情怀不断地加深这种稳定性。而每个个体家庭规模既小,人口不多,所能够拥有的土地面 Drama, when separated from the ritual and independent performance category, its original ritual and ritual significance has not disappeared. On the one hand, its form has so far been ceremonial. The important point is that its ceremonial nature also inherits the norms of sacrificial ceremonies. China experienced a long-term native society, while the local community gave birth to the characteristics of local drama. Local play implies relative stability, and attachment to the earth deepens this stability. Each individual household is small and has a small population and the land it can own