究竟“广东音乐”是如何产生的?源自何处?和其它民间艺术种类有什么关系?这是一个至今还在讨论的问题。 关于这个问题,理论界有过很多论述,归纳起来,大致有这样一些主要观点: 一种认为“广东音乐”是源于粤剧的“过场谱子”、“过场音乐”、“谱子”、“小曲”等,也称“粤乐新谱”、“粤乐小曲”等。持这个观点有:李凌、刘天一等老一辈音乐家。受其影响, After all, how did “Guangdong Music” originated? Where did it originate from other folk art types? This is an issue that is still under discussion. There are many arguments about this issue in theorists. To sum up, there are generally some main views as follows: One view is that “Guangdong Music” is derived from Cantonese opera “Live Music”, “Musical Score”, “Xiao Qu” Etc., also known as “new music”, “Cantonese Opera” and so on. Hold this view: Li Ling, Liu Tianyi and other older musicians. Affected by it,