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长篇小说《茶花女》作为爱情经典曾多次被改编成影视作品,本文主要以1936年由乔治库克执导的经典版本为研究对象,运用叙事学的研究方法,比较《茶花女》从小说到电影两种艺术媒介的叙事特点和媒介特性,指出媒介是按照自己的特点来建构故事、讲述故事的,《茶花女》的改编历程实质上是文学叙事向影像媒介叙事转换的过程,媒介的转换对故事的形态和意义产生了一定的影响,并且在转换中指向各自时代的价值取向。
The novel “Camellia” has been adapted into film and television works many times as a classic of love. This article mainly takes the classic version directed by George Cook in 1936 as the research object. By using the narrative methodology, this article compares the novel from “Novella” The narrative characteristics and the media characteristics of the two art media of the film point out that the media constructs the story according to its own characteristics and tells the story. The adaptation process of “The Girl of the Camellia” is essentially the process of transforming the narrative from the narrative to the media narrative, The shape and meaning of the story had a certain impact, and in the conversion point to the value orientation of their own times.