在资讯高度发达,声像无处不在的文化语境里,一切机敏而有追求的作家,都开始认真思考一个问 题:如何让自己笔下发出的文学信息——作品,从汹涌澎湃、漫无边际的信息——作品大潮中脱颖而 出,鹤立鸡群。这种思考反映到近年来文学创作的实践上,便是一些作家标新立异,剑走偏锋,表现 出显而易见的“姿态化”倾向,即力求凭借一些在文里文外所进行的不乏夸饰成分和谋略色彩的言说 或行为,以达到异军突起、先声夺人,进而引领风骚的效果。 平心而论,作家群体中的姿态化现象,并非始自今日。事实上,它是同历史长廊中的都市笙歌和儒 林嚣闹连接在一起的。而一些历史的细节又告诉我们:不能把“姿态化”简单、全部地看成是一种负 In a highly developed and sound-like cultural context, all the smart and aspiring writers are beginning to ponder over the question of how to get the literary messages and works they send out from surging and endless information - stand out in the tide of work, stand out. This kind of thinking is reflected in the practice of literary creation in recent years. Some writers are unconventional and their swords go astray. They have shown an obvious “posture” tendency. They are trying hard to rely on some exaggerated elements and tactics carried out outside of Wen Li Color of speech or behavior, in order to achieve sudden emergence, pioneering, and then lead the coquettish effect. In all fairness, the gesture of the writer group does not start today. In fact, it is linked to the urban pride and the Rulin clamor in the historic promenade. And some historical details tell us: we can not regard “gesture” simply and completely as a negative