今年春节,在易俗社小剧场,再一次观看了康亚婵主演的《庵堂认母》。仔细琢磨这出戏,觉得表演上的层次感其实乃是《庵堂认母》成败的关键。对于一个尼姑,一个解元,由彼此陌路,两相无干,到最后竟是母子相逢,骨肉至亲,这个过程,确实需要循循善诱、层层深入的。循循善诱的动力,皆因为彼此都有一个强烈的愿望:儿在一寺一庵找亲娘,娘在年年岁 This year’s Spring Festival, a small theater in Yishe community, once again watched Kang Asia Chan starring “nunnery confession mother.” Carefully pondering the play, I feel the level of performance on the show is actually the “nunnery admit mother” the key to success. For a nun, a solution Yuan, strangers by each other, two-phase dry, in the end was actually a mother-in-law reunion, flesh and blood kisses, this process, do need to follow the temptation, deep layers. Follow the motivation of charity, all because of each other has a strong desire: children in a temple to find a mother, mother in the age of years