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本文旨在呈现一份对酷儿表演的初步调查;其中涉及的表演包括叙事性及非叙事性的戏剧,以及行为艺术。说是初步意即,另有时机一定会再对在本文以作注释的“场景”[scene]做出更加完整的叙述。调查上千份文章和表演几乎是一项几乎不可能完成的任务,因此读者可将本文看作是一份概述或简介。我将在本文中讨论,何种行为和语境构成了酷儿表演。对酷儿表演做批判性讨论就是参与到发生在剧场、艺术馆、街头和节日上出现的大量实践当中,那些有自我认同的同性恋者就是利用这些活动来组成集体、表达观点。
This article aims to present a preliminary investigation of Queer performances; the performances involved include narrative and non-narrative plays, as well as performance art. To say that is preliminary means that there is another opportunity to make a more complete account of the “scene” [scene] annotated in this article. Investigating thousands of articles and shows is almost an almost impossible task, so readers can treat this article as an overview or an introduction. I will discuss in this article, what kind of behavior and context constitute Queer performances. A critical discussion of queer performances involves participation in the vast array of practices that take place in theaters, galleries, streets and festivals, and those who have homosexuality use these activities to form groups and express opinions.