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古代山水诗要在当代文化建设中发挥作用,就必须与现代语境承接。生态美学是在反思人类中心主义中产生的,它肯定人具有不以人为转移的审美性质和价值,主张建立人与自然的和谐关系,目的是为了人的可持续发展。文章对山水诗的特质与生态美学的内核作一比较性分析,认为它们在哲学基础、整体特色、美感经验三个方面具有共同性,从而论证了它们的承接可能性。
Ancient landscape poetry to play a role in the construction of contemporary culture, we must undertake with the modern context. Ecological aesthetics is produced in the reflection of anthropocentrism. It asserts that human beings have the aesthetic nature and value of non-man-made transfer and advocates the establishment of a harmonious relationship between man and nature, aiming at the sustainable development of human beings. The article makes a comparative analysis of the characteristics of the landscape poetry and the core of ecological aesthetics, and holds that they have commonality in the three aspects of the philosophical basis, the overall characteristics and the aesthetic experience, thus demonstrating their possibility of taking over.