和那些也是在上世纪60年代末、70年代初出生,在美术学院接受了正规、完备艺术教育的艺术家有所不同:董重的艺术启蒙和艺术教育基本上是在家庭与社会之间的“中间地带”完成的。我之所以特别强调这一点,是因为在董重的艺术创作中,对那些喧嚣而来的艺术潮流、艺术规范的偏离、漠视和对内心世界中的“自我”,对“肉身” Unlike those artists who were born in the late 1960s and early 1970s and accepted formal and complete art education at the Academy of Fine Arts, Dong’s art enlightenment and art education are basically “ Middle ground ”completed. The reason why I emphasize this point is that in Dong Zhong’s artistic creation, the deviations from the norms of art, the disregard for the tide of the tide and the “self” to the inner world,