弥漫着评选者权力意志的16届全国版画展过去了。但对其学术的思考却或多或少对当代版画发展产生一定影响。客观上讲,展览中并非缺乏优秀作品。或许,评委们也试图寻求优秀者。如果没有评委们习惯审美下的功利评选,我们偌大的中国不是没有可能挑选出一些比较杰出的版画作品的。事实上,把艺术当生命,把版画当作实现自我与个性的版画家大有人在。版画艺术的后备军也算是人才济济——随后在南京召开的第6届高校版画年会上,出自学院的众多作品表明了中国版画并非缺乏独立思考的创新者和探索者。绘画观念的更新和技法材料的进一步拓展,向我们呈现了生机勃勃的院校版画发展的潜力和后继实力。 The 16th National Printmaking Exhibition, filled with the will of the contestants, passed. But its academic thinking has more or less influenced the development of contemporary prints. Objectively speaking, the exhibition is not lack of outstanding works. Perhaps the judges are also trying to find the best. Without the judiciary accustomed to aesthetically utilitarian selection, it is not impossible for our big China to pick out some of the more outstanding print works. In fact, there is a lot of art as life, printmaking as a printmaker who realizes himself and his personality. The Reserve Art of Print Art is Talent - At the 6th Annual Printmaking Conference in Nanjing, many works from the college show that Chinese printmaking is not a lack of innovators and explorers who think independently. The renewal of the concept of painting and the further expansion of technical materials have given us the potential and successors of the vigorous development of college printmaking.