我没有和斯坦尼斯拉夫斯基一起工作过,也没有直接受教于他。如果我认为自己是他的继承者,那是因为我跟其他许多导演一样,是从观摩他的演出当中成长的。尽管如此,我还是可以说,“体系”决不是一堆仿佛可以保证演员做出正确的舞台行为的实验性心理技术手法。我决不否认专门的演员技术的意义,但我深信 I did not work with Stanislavski nor was I directly taught to him. If I consider myself to be his successor, it is because I, like many other directors, grew up watching his performance. Nevertheless, I can still say that “system ” is by no means a pile of experimental psychological techniques that seem to ensure that the actors can make the correct stage behavior. I will never deny the significance of specialized extras technology, but I am convinced