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《艺术与投资》:装置这种艺术形式是如何产生的?邱志杰:学理上可以把装置的历史推到非常远,上古壁画就有一种装置性在,达达主义之后可以说是装置正式出现。装置的形成和现代的展览文化有关,以前的作品是不为临时展览而作的,以前的艺术交流形式是雅集、笔会,大概在19世纪中叶,现代展览模式出现了,现代展览模式非常有效,从印象派之后,以艺术运动的形式来组织展览、以博览会形式组织的展览,培养了艺术品的空
Qiu Zhijie: It is theoretically possible to push the history of installations far beyond the reach of ancient murals. After Dadaism, it can be said that the installation has officially emerged. The formation of the installation is related to the modern exhibition culture. The former works are not for temporary exhibitions. The former form of artistic exchange was the Accor and PEN conference. About the middle of the 19th century, the modern exhibition mode appeared. The modern exhibition mode was very effective. After Impressionism, the organization of exhibitions in the form of artistic movements, the exhibitions organized in the form of expositions, and the cultivation of empty works of art