十七管“满簧全字”笙张振涛如果说５０年代初期北京智化寺艺僧所使用的１７管满簧全字笙的发现①，证明了在中国的传统乐种里仍然保持着唐宋时期的笙制，从而否定了日本学者关于１７簧笙只在日本保留真传而在中国仅留有１５以下簧数笙制的结论，那么，时至９０年代，冀中... Seventeen tube “full spring full” Sheng Zhang Zhentao If the early 50s Beijing Temple monk used 17 tube full spring Sheng’s discovery ①, that in China’s traditional music still maintain the Tang and Song Period of the system, which denied the Japanese scholars on the 17 spring Sheng only retained the truth in Japan and China in the mere 15 leaves the conclusion of the following spring number Sheng, then, until the 90’s, Jizhong ...