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中国早期的月神话主要集中在西母、嫦娥、蟾蜍等记载中,东汉时期开始出现“月宫”说。随着佛教影响的深入,许多释氏经典对月中宫殿的周详描述,促进了此传说的进一步丰富。“月宫”一词渗入文学,使得佛教净土思想与道家仙境说相结合,原本苍凉的月亮有了富丽堂皇的宫殿,许多文体籍以演绎种种故事。可以说,佛教通过语汇介入与想象的注入,丰富了中国的月宫传说。
The myths of early Chinese myths mainly concentrated in the records of the western mothers, Chang’e, and toads. The “lunar palace” began to appear in the Eastern Han Dynasty. With the deepening influence of Buddhism, many of the classic explanations of the palace in the middle of the month by Shi-shih were further enriched by this legend. “Moon Palace ” into the literature, making Buddhism Pure Land thought combined with Taoist Wonderland, the original desolate moon with magnificent palaces, many of the style to deduce all kinds of stories. It can be said that Buddhism has enriched the legend of the Chinese patriarchal moon through the intervention of language and imagination.