论文部分内容阅读
我近年来的油画创作之路,经历了一个颇曲折却又融入无限乐趣的转变过程。从开始以写实方法——如国内学院派那般以写实性的色彩、笔触塑造形体,到后来逐渐尝试对具象造型进行形式抽象,再到当下借鉴西方油画抽象语言而又回归传统艺术之思维来进行创作。用抽象的色彩、笔触表达景物似真非真的斑斓意象,这最终衍化出我现在的艺术风格,这其中又融入我对油画语言探索及意境营造的思考。对中西美术各自演进历程的思考让我逐渐尝试在融汇中西文化的基础上进行艺术探索。对西方美术的关注让我侧重思考了图像载体与艺术语言表达之间的关系问
In recent years, my oil painting creation has undergone a process of transformation which is quite twists and turns into an endless stream of fun. From the beginning with the realistic method - such as the domestic academic school that in realistic style, brush shape to shape, and then gradually try to abstract the shape of the concrete form, and then to learn from the contemporary Western oil painting abstract language and return to the traditional thinking of the art Create. Using abstract colors and brushstrokes to express the vivid and unconstrained imagery of the scenery, this eventually leads to my current artistic style, which is also a reflection of my exploration of oil painting language and the creation of artistic conception. Reflections on the evolution of Chinese and Western art made me gradually try to explore the art based on the integration of Chinese and Western cultures. Concern about Western art has given me a more ponder on the relationship between the image carrier and artistic language expression