与其他“70后”出生的作家相比,张楚虽然“出道”比较晚,但应当算是较为独特的一位,其独特之处在于,他不仅是个写作者,还是一个需要“朝九晚五”工作的税务官。作家与税务官,一个是需要感性的投入,另一个则必须是理性的计算;一面是至性至情,一面却是正直无私;一热一冷,一里一表,一进一出,这样的两种身份,似乎很难联系在一起,对此我很好奇,张楚是怎样使这双重身份得以调和的呢?在他的内心这两个磁极之间又会产生怎样的引力和斥力呢?在他对生活进行审美化的过程中,他如何控制、设置现实和虚构之间的规则和形式?也就是说,照耀他内心的写作 Compared with other post-70s-born writers, Zhang Chu, though relatively late in his debut, should be regarded as a unique one whose uniqueness lies in whether he is not only a writer, but also a writer who needs “ As late as nine nights five ”tax officer. Writers and tax officials, one is the need for emotional input, the other must be a rational calculation; one is the most sentimental, one is honest; one hot and one cold, one inside a watch, one into another, so It seems difficult to connect with each other, I am very curious, Zhang Chu is how to reconcile this dual identity? In his heart between the two poles will produce what kind of gravity and repulsion? How does he control and set the rules and forms between reality and fiction in his aestheticization of life, that is, to illuminate his inner writing?