说起山水盆景,界内总有“形势”堪忧的感觉。不过这里要讲的形势是特指山“形”和“山势”。造型艺术是依靠形象阐明主题,达到赏心悦目的;.是通过布势(布局)来组织内容,贯穿脉络,完善造型的。山水盆景艺术也是如此。中国画论曰:“至山水之全景,须看真山,其重叠压覆,以近次远,分布高低,转折回绕,主宾相辅,各有顺序,一山有一山之形势,群山有群山之形势也。”山水盆景作为饱含中国山水文化的特有艺术门类,其很多艺术理论与画论有渊源。咫 Speaking of landscape bonsai, there are always “situation” worrying feeling. However, the situation to be talked about here refers specifically to the mountain “form” and “mountain”. Plastic art is to rely on the image to clarify the theme, to pleasing ;. By cloth potential (layout) to organize the content, throughout the context, perfect shape. Landscape bonsai art is also true. Chinese painting theory reads: “To the panorama of landscapes, we must look at true mountains, their overlapping overlay, to the recent times, the distribution level, the turning point around, the main guests complement each other, there is a mountainous situation, mountains and mountains The situation is also. ”Mountain bonsai as a unique art category full of Chinese landscape culture, many of its art theory and painting theory of origin. Close