“天竺遗法”与“凹凸花”之间的异同关系是本文研究的主要内容。作者以龟兹石窟中带有“凹凸画法”特点的壁画和部分佛寺遗存的门饰图案为例,从用色特点和内容等方面入手,论证了存在于“天竺遗法”和“凹凸花”之间的区别与联系。本文指出“天竺遗法”是对古印度佛教造型技术的总称,“凹凸花”则是“天竺遗法”的一种表现方式且明显具有建筑装饰的特点,从而阐释了这两种技法间的异同关系。 The similarities and differences between the “Tianzhu legacy” and “Bump” are the main contents of this paper. Taking Kuqi Grottoes as an example, the murals with “Bump Painting ” and the remains of some Buddhist temples are taken as examples to illustrate the characteristics of “ And ”Bump Flower “ the difference and contact. This article points out that ”Tianzhu Legacies “ is a general term for ancient Indian Buddhism modeling technique, ”bumpy flower “ is a manifestation of ”Tianzhu law " and obviously has the characteristics of architectural decoration, which explains the The similarities and differences between the two techniques.