“谁是贫农?谁是贫农?你才是贫农哩!”在土改工作会议上,章守信如是说。而后当工作组去章家做思想工作时,季瓷也这么说:“俺一家几辈喂牲口种地,起五更搭黄昏纺花织布,就是为的不想当贫农。”“贫农”这个即将在新的历史阶段成为一种荣耀的政治身份的名词,被章家夫妇嗤之以鼻,视为污辱。周瑄璞在《多湾》中的这段叙述令人印象深刻,并非因为农民在政治上的“短见”而形成的喜剧效果,而是在这些憨厚 “Who is the poor peasants? Who is the poor peasants? You are the poor peasants!” In the land reform meeting, Zhang Shouxin said. Then when the working group went to Zhang to do his ideological work, the quarter porcelain also said: “I am a few generations of herdsmen and herds, from five to take the evening spinning and weaving, just do not want to be poor peasants.” Poor peasants, “which is about to become a glorious political identity in the new historical stage, was scoffed at by Zhang and his wife as an insult. Zhou’s description in ”Duowan“ is impressive not because of the comedy effect that peasants have in political ”short-sightedness" but in these simple and honest