前些时候,我曾应邀赴德国进行了为期三个月的专业考察,对德国戏剧的基本情况,诸如剧目组织、演出管理、联系观众的方式、新戏排练的过程、戏剧节的举办以及戏剧教育等方面,都有了一些或多或少、或深或浅的了解。然而在这期间印象最深、感受最多的,还是在剧场里看戏。我在德国(包括当时的西德和东德)总共看了八十多台戏,话剧、歌剧、音乐剧,大剧场、小剧场,“豪华戏剧”、“贫困戏剧”、“咖啡戏剧”、“舞厅戏剧”,古典作品、当代作品,现实主义的、非现实主义的……林林总总,形形色色,其中有一些还是由德意志剧院、柏林剧团、汉堡剧院等非常著名的剧院演出的。坐在那些或古老或现代、或豪华或简朴、但无一例外地弥漫着浓郁的艺术气氛的剧场里,我作为一个中国的戏剧工作者,心情是极 Earlier, I was invited to go to Germany for a three-month professional study. The basic situation of German drama such as organization of repertoire, performance management, ways to contact audiences, rehearsal of new plays, holding of drama festivals and drama Education, etc., have some more or less, or deep or shallow understanding. However, the deepest impression in this period, the most experienced, or theater in the theater. I read a total of more than 80 plays, dramas, operas, musicals, big theater, small theater, “luxury theater”, “poverty drama”, “coffee theater” in Germany (including the then West Germany and East Germany) “Ballroom Theater”, classical works, contemporary works, realism, non-realistic ... ... There are numerous, all kinds, some of which are still performed by the German Theater, Berlin Theater, Hamburg Theater and other very famous theatrical performances. Sitting in a theater that is either ancient or modern, or luxurious or simple, but without exception is full of rich artistic atmosphere, as a Chinese drama worker, I feel extremely