中外文坛 ,对文艺评价的文艺批评模式 ,是随着对文艺认识的不同而不断变化的 ,文艺民俗批评就是其中一个新的样式。人世间 ,谁也不会以纯粹质朴的眼光去看待世界。任何人 ,落地伊始 ,社群的习俗便开始塑造他的思想和行为。他看世界时 ,总会受到由此而构成的民俗思考原型的剪裁和编排。一国一民族文艺的创作和评论 ,也无法排除这一影响。人从自然界走来 ,一直处在生物和文化双重进化之中。人和异类根本的区别 ,在于人是以民俗为核心的文化存在。文艺创作不写人的这一存在 ,就难以刻画出鲜明的“这一个” ;文艺批评不剖析人的这一存在 ,也难以揭示人物深层的心灵。文艺民俗批评在后现代文艺批评中自有它独特的天地 Chinese and foreign literary circles, the literary and art criticism of literary and art criticism mode, with the understanding of literary and artistic changes and constantly changing, literary and art criticism is one of the new style. No one in the world will look purely at the simple world. Anyone, from the very beginning, the customs of the community began to shape his thoughts and actions. When he looks at the world, he is always subject to the tailoring and orchestration of the prototype of folklore thus formed. The creation and commentary of a nation’s national literature and art also can not rule out this influence. People come from nature, has been in the double evolution of biology and culture. The fundamental difference between man and strangeness lies in the fact that man is a cultural existence centered on folk customs. Literary and artistic creation does not write the existence of this person, it is difficult to depict a distinctive “this one”; literary criticism does not analyze the human existence, it is difficult to reveal the deep soul of the characters. Literary and artistic criticism in the postmodern literary criticism has its own unique world