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哲学教授说“女人是在道德之外的”。非但不是对女人的轻蔑针贬.反倒是为她们提供一把形而上学的保护伞。几乎是出于同样的愿望,也可以说“艺术是在标准之外的”。于是,观念艺术、装置艺术、行为艺术,象无拘无束的孩子,在这把保护伞下疯长,任他偷鸡摸狗,只是一笑处之。可是有一天他杀人越货了呢?一旦艺术标准的问题被提出来讨论的时候,一定是出了杀人越货一样的大事不好。 现代主义艺术的狂欢实验,开始于义无反顾的极端颠覆指向,无论是日常语言,还是本质主义和意义,他必要在疏离的状态中,通过颠覆的意志指向,寻找无以预知的迷离和感念。赞美、同情、批评、诅咒,对于现代主义艺术都没有意义。无论是鲜花还是利剑,他都永远报以轻蔑冷
A professor of philosophy says “a woman is outside of morality.” Not only is it not a contempt for women, but rather a metaphysical umbrella for them. Almost out of the same desire, it can be said that “art is beyond the standard.” Thus, the concept of art, installation art, performance art, like a free child, under the umbrella soaring, let him steal chicken, just a smile. But one day he murdered more goods? Once the art standards are raised to discuss the issue, it must be the same as the murder of a big bad thing. The carnival experiment of modern art begins with the extreme subversion of irresponsible criticism. Whether in everyday language, essentialism and meaning, he must, in a state of alienation, look for the unpredicted blur and feeling through the subversive intention. Praise, sympathy, criticism, curse, have no meaning for modernist art. Whether it is flowers or sword, he always reported contempt for cold