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人物塑造是文学创作的关键,多维鲜明的角色、合理又耐人寻味的人物关系是一部文学艺术作品成功的重点也是难点。立足于结构主义中格雷马斯符号矩阵理论及人物维概念,本文对2009年马楚成导演的《花木兰》的人物塑造和故事情节进行分析和评价,总结归纳出人物塑造平衡性和揭示性的重要意义,也为今后花木兰题材的再创造提供一定的借鉴与思考。
Character shaping is the key to literary creation. The multi-dimensional and vivid characters, reasonable and intriguing character relationships are the key points of success of a literary and artistic work. Based on the Greimas symbol matrix theory and the character dimension concept of structuralism, this paper analyzes and evaluates the characterization and storyline of “Mulan” directed by Ma Chucheng in 2009, and summarizes the importance of figure building balance and revealing Significance, but also for the future creation of Mulan theme to provide some reference and reflection.