在当代,一个画家如何定位自己,并不是轻而易举的事情,面对如此难题,画家们处心积虑的寻求着各自的答案,力求冲出窘境,在当代文化语境中给自我以恰当的定位,这既是一个时代的命题,又是“转型期”艺术发展的必然。在这个角度上,邹立颖的水墨人物画体现出一种价值砚意义和自我形象的重塑,与此同时,他也寻到了自己的艺术定位,并由此出发,展示了风格的成熟和丰厚的收获。 In the contemporary era, it is not an easy task for an artist to locate himself. In the face of such difficulties, artists painstakingly seek their own answers, trying to find a way out of the awkward position and giving themselves proper orientation in the contemporary cultural context. The proposition of an era is also the inevitable development of art in the period of “transformation”. From this point of view, Zou Liying’s ink portraits reflect a sense of value and self-image remodeling. At the same time, he also finds his own artistic orientation, starting from this, demonstrating the maturity and richness of style reward.