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卞之琳创作于20世纪40年代的小说《山山水水》由于在文本的意义上缺乏自足性,在学术界要么被存而不论,要么被予以过低的评价。本文则试图从知识分子与时代关系的角度,深入解读这部卞之琳“未完成”的作品。本文共分五个部分。第一部分介绍笔者的问题意识、研究状况以及本文所要处理的对象。第二部分通过对小说创作意图的探讨,分析卞之琳——个个本以诗歌写作见长的作家——创作转型背后的内在诉求。第三部分和第四部分笔者将深入小说文本,分别从小说“回环往复”的结构以及叙事视点的角度,分析这部小说的艺术特色,并以此为基础,揭示小说形式背后所潜藏的政治无意识。第五部分为结论,笔者最后认为,《山山水水》这部小说的文学价值或许并不突出,但却鲜明的反映了在特定的历史语境下,作家如何努力试图与时代发生紧密的联系,为我们探讨20世纪中国知识分子的命运提供了独特的例证。
Bian Zhilin’s novel “Mountain and Water”, which was written in the 1940s, was either left in academia for lack of self-sufficiency in the sense of text or was left underestimated. This article tries to deeply interpret this work of Bian Zhilin “Unfinished ” from the perspective of the relationship between intellectuals and the times. This article is divided into five parts. The first part introduces the author’s problem awareness, research status and the object to be dealt with in this article. The second part analyzes Bian Zhilin, one of the writers who know how to write in poetry through the discussion of the intent of the novel creation - the inner appeal behind the transformation of writing. The third part and the fourth part of the author will go deep into the novel text, respectively, from the novel “loop back and forth ” structure and the perspective of narrative point of view, analysis of the artistic features of the novel, and as a basis to reveal the hidden behind the novel form Political unconsciousness. The fifth part is the conclusion. The author concludes that the literary value of this novel may not be prominent, but it clearly reflects how the writer tried hard to try to be closely linked with the times in a specific historical context , Providing a unique example for us to explore the fate of Chinese intellectuals in the 20th century.