瓦尔特·本雅明将艺术作品的形式分析与社会理论相结合,以独特的社会历史分析方法,深入描绘和分析了艺术的现代性。他认为,传统艺术作品中的“光韵”被“震惊”的现代经验所取代。这种审美观念的转变,是进入全面机械复制时代的标志。本雅明的观点影响到20世纪中后期以来,后现代主义学者对大众文化的重新审视,在当代“超复制性”数字化技术盛行的背景下仍具现实意义。 Walter Benjamin combines the formal analysis of works of art with social theory to depict and analyze the modernity of art in a unique way of social and historical analysis. In his opinion, the “light and light” in traditional art works is replaced by the modern experience of “shocking”. This change of aesthetic concept is a sign of entering an era of full-scale mechanical reproduction. Benjamin’s view affects the re-examination of popular culture by postmodern scholars since the middle and late 20th century, and is still of realistic significance against the backdrop of the prevalence of digital technology in contemporary “super-replication.”