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隐喻理论的引入为研究荒诞派戏剧的叙事策略转向、意象图式构建及美学和认知运行机制提供了崭新视角。贝克特荒诞派戏剧通过构建结构隐喻实现了图像叙事的转向。图像化的阐释凸显了空间概念,通过空间隐喻构建了“悬置”和“间性”的存在意象图式。同时互文式的博喻从多个角度传递了对存在体验的经验主义的认知观。隐喻式构建以诗性的思维和言说方式展现现代人的存在图式,在熟悉感和陌生化两维之间体现出强烈的美学悖论,以似与非似的含混赋予读者最大的阐释空间。
The introduction of metaphor theory provides a brand new perspective for the study of the narrative strategy shift, image schema construction and aesthetic and cognitive operating mechanism of the drama of the Absurd. Beckett’s Absurd Drama realizes the turning of image narration by constructing structural metaphor. The interpretation of the image highlights the concept of space and constructs the existing image schema of “suspended” and “inter” by means of spatial metaphors. At the same time, the intertextual metaphor conveys empiricist perception of experiencing from multiple perspectives. Metaphorical Construction Poetic Thinking and Speech Mode to Display the Mode of Existence of Modern People, Embodying a Strong Aesthetic Paradox between Two-Dimensional Familiarity and Defamiliarization, Maximizing Readers’ Interpretation Space with Similarity and Non-Analogy .