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我永远不会忘记,当我初次欣赏叶加濑太郎先生那充满质地的《流转的王妃》的时候,我心间的汹涌与流失,究竟是带着多么厚重的优雅与高贵。于是,一切便都理所当然地成为了美艳与层次的代名词。而在写作这篇文字的时候,耳机中仍然在播放着叶加濑太郎先生的代表作品《流转的王妃》。轻触那半透明的播放按键,然后那习惯性地声音就那样循环往复地传来,然后沉静敛然地声波,缓慢地叙述带着细腻的哀愁与苦涩,那曲调婉转地柔软然后逐渐地反复替加与交错,于是,这种流动便最终构成了我精神中的能量。
I will never forget that when I first came to admire Taro Kawase, the full-blown Princess of Circulation, the ragingness and loss of my heart was exactly the elegance and nobleness that came with my heart. So, everything will naturally become synonymous with beauty and hierarchy. At the time of writing, the headset is still playing the representative works of Taro Kawase Taro, “the Queen of Circulation.” Touch the translucent play button, and then the habitual voice will come and go in that way, then the quiet convergence of the sound waves, slow narration with delicate sadness and bitterness, the melody softly soft and then gradually repeated Tegas and staggering, so this flow will eventually constitute the energy of my spirit.