20世纪下半叶,接受美学迅速成为文学批评领域中被广泛关注的一种理论范式,但由于其理论体系放置在文学研究领域中,存在诸多自相矛盾处且可操性差,至20世纪80年代这一理论影响渐渐式微。但随着媒体传播研究向“受众为中心”转移,电视批评家迅速发现了接受美学运用于电视批评的有效性,罗伯特·艾伦和约翰·费斯克、哈特利、玛丽·麦克莱恩、孔滋洛夫等人都不同程度地从接受美学的角度分析了电视文本。本文试图从众多 In the second half of the 20th century, accepting aesthetics rapidly became a theoretical paradigm which was widely concerned in the field of literary criticism. However, due to its theoretical system placed in the field of literary studies, there were many contradictions and poor maneuverability. By the 20th century, 80 The influence of this theory gradually declined. But as media-based research shifted to the “audience-centric,” television critics quickly discovered the usefulness of accepting aesthetics for television criticism. Robert Allen and John Fiske, Hartley, and Mary McLean , Kongzuo Luofu and others to varying degrees, from the perspective of the acceptance of aesthetics TV text analysis. This article attempts from many