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塞缪尔·巴伯是一位既尊重传统,又具有创新精神的作曲家。在如今多元化的音乐面前,巴伯选择的是一种畅达悠然的“中庸”音乐思维——现代手法与浪漫色彩的完美并存。巴伯研究对我们理解现代音乐作品尤其是20世纪下半叶的音乐作品具有重要的意义。本文是从浪漫主义色彩这个视角,置身于钢琴作品演奏及教育的背景,对巴伯的音乐作品《钢琴奏鸣曲op.26》的创作手法及风格特点进行分析与研究,兼本人对现代音乐作品与浪漫主义相结合的思考。
Samuel Barber is a composer who respects both tradition and innovation. In today’s diverse music scene, Barber chooses a smooth, relaxed, “meditative” musical mind - the perfect blend of modernism and romance. The study of Barber is of great significance to our understanding of modern musical works, especially the musical works of the second half of the 20th century. This article is from the perspective of romanticism, in the background of piano performance and education, analyzes and studies the writing techniques and style characteristics of Barbour’s musical “Piano Sonata op. 26” The Combination of Romanticism.