《红楼梦》是对一种“类化家族”的时空方向的展示,其中臻满了情的悲欢离合、对物的你争我夺、人的欲望整合之至人生的无力落寞,并以其对真实可感的悲剧性的展示和对理想之维的指向而享誉经典之名。诞生在商业浪潮之下、处于“图像狂欢时代”的新版《红楼梦》自有它的前沿性,但却呈现出“有色无味”的模样。 A Dream of Red Mansions is a demonstration of the space-time direction of a kind of “clandestine family”, in which the flesh filled with love and sorrows, the contempt for the things, the lustiness of people’s desires integrated into their life, A classic name for a truly tragic show and a point toward the ideal dimension. The new version of A Dream of Red Mansions, which was born in the midst of commercial tide, has its own frontier in the era of image-carnival, but shows a look of color-less taste.