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我国以市场经济为主体多种经济形式共同发展的模式已经运营了30余年,广泛的财富积累也论证了改革开放的伟大举措,但随之而来的社会现象也使我们看到了相关的连带效应。公民日益增长的财富积累与相对缺失的文化品位提升成为当前人们较为关注的问题。笔者认为在我们生活的年代里,“文盲”这一概念似乎已经远离我们多年,而随即表现出对审美的盲目与缺失——“美盲”在悄然影响着我们的生活与社会。至此,通过一种媒介提高人们在生活中的美学认识似乎已经成为部分机构与人士不断尝试、涉猎的课题,而美学的直接载体——艺术品以及艺术衍生品,俨然成为了让美学走入人们生活的直接媒介。本篇文章笔者以2014年苏州文化创意设计交易博览会(以下简称“苏艺博”)为引子,尝试性地将现有艺术衍生品的相关概念进行简要阐述,并试探讨生活美学与艺术衍生品的微妙关系。
China has been operating for more than 30 years with the market economy as its mainstay and the common development of various forms of economy. The extensive accumulation of wealth also demonstrates the great move of reform and opening up. However, the social phenomenon that followed brought us to see the related co-occurrence effect . The growing wealth accumulation of citizens and the relative lack of improvement of cultural taste have become the issues that people are more concerned about nowadays. The author believes that the concept of “illiteracy” seems to have been far away from us for many years in our life, and then shows the blindness and lack of appreciation of the aesthetics - “Blind Bliss ” in the quiet influence on our life and society . At this point, it seems that using a medium to enhance people’s aesthetic understanding in life seems to have been a topic that some institutions and individuals try constantly. The direct carrier of aesthetics - art and art derivatives - seems to have made aesthetics into people The direct medium of life. In this article, the author takes Suzhou Cultural and Creative Design Trade Expo in 2014 as an introduction to tentatively explain the related concepts of existing art derivatives and tries to discuss life aesthetics and art Subtle relationship of derivatives.