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本文否定了传统评论即《汤姆叔叔的小屋》基调为反奴隶制或种族主义的绝对论断,通过运用马克思主义理论分支,即皮埃尔.马歇雷(Pierre Macherey)对意识形态的定义及其对意识形态与文学创作二者关系的阐释,论证出在双重意识形态的影响下,小说作者斯托(Stowe)既在其作品中盛誉宗教所倡导的博爱与宽恕精神,又无法摆脱其自身在整部作品中流露出的白人优越意识。本文旨在揭露阶级社会中意识形态的内在分歧及其维权性与欺骗性的伪善功能。
This article rejects the traditional assertion that “Uncle Tom’s Cabin” is the keynote of anti-slavery or racism. By using the theoretical branch of Marxism, Pierre Macherey’s definition of ideology and its The interpretation of the relationship between ideology and literary creation proves that under the influence of dual ideology, the novelist Stowe not only praises the fraternity and forgiveness advocated by religion in his works, but also can not get rid of himself The white consciousness revealed in the entire work. The purpose of this article is to reveal the internal differences in ideology in class society and their hypocritical and deceptive hypocrisy functions.