宋元以来,黄梅民间流行的弹词、宝卷、道情、“旱龙船”、鼓词、锄山鼓、门歌、喝傩神等说唱艺术,对黄梅戏“三十六大本”正本戏的形成和积累有着密切的关系。本文就这方面作些初步探讨。 一、弹词沿革与黄梅戏有关剧目。 弹词,属于诗赞体的说唱文学,是由宋代的经词、陶真演变而成的。清·姚燮《今乐考证》引方外畸人《相思镜弹词序例》云:“弹词始于北宋安定郡王赵德麟,按唐元微之《会真记》撰高调[蝶恋花]十章,号鼓子同,俾歌工弹唱,已倡其端;至金章宋朝,董解元变词为曲,亦按《会真》 Since the Song and Yuan dynasties, Huangmei folk plays such as storytelling, Po Juan, Taoism, Drone, Drums, hoe drums, door songs, Formation and accumulation have a close relationship. This article makes some preliminary discussions on this aspect. First, the history of the story and the Huangmei opera repertoire. Tanci, belong to the poetry of the rap literature, is the Song Dynasty, Tao evolved. Qing Yao Yup “Today’s Textual Research,” cited the alien abnormal person “相思镜 镜词 order” cloud: “The storytelling began in the Northern Song Dynasty Anding County Zhao Delin, according to Tang Yuanwei” will really remember “high profile [butterflies in love] ten chapters, Drum with the same, to play song and dance, has advocated its end; to the gold chapter Song Dynasty, Dong Jieyuan variable words for the song, also according to ”will be true"