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艺术史的普遍规律是:当代扬弃,隔代继承。任何历史都不是直线上升的,都多少会经历一些反复迂回,然后走向前进。王宁宇先生在他的《民间美术概论》里认为:把中国文化艺术在近代这样一个多事之秋走过的轨迹,形象地比喻为陕北婆姨扭秧歌,把中国文化在西方强势文化推动下的状态,用摇摆、退让、缓冲前进中求平衡比喻得如此恰切,可谓识者之言。
The general law of art history is: contemporary sublation, inheritance from generation to generation. Any history is not straight-edged, how many will experience some repeated roundabout, and then move forward. In his “Introduction to Folk Art”, Mr. Wang Ningyu holds the view that the trajectory of the Chinese culture and art in the autumn of a modern era is vividly described as the dancing of Yangko in northern Shaanxi, and the swinging of Chinese culture under the impetus of Western strong culture. , Concession, the balance of the buffer forward metaphor is so appropriate analogy, can be described as the word of knowledge.