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文章运用比较诗学方法，对“五四”表现论文学观念与西方文艺思潮的影响接受关系进行了深入探讨。文章认为，仅用浪漫主义概括不了“五四”新文学创始者所持的表现论文学观念。“五四”表现论文学观念是西方文艺思潮、时代需要和传统诗学诸因素互动的结果，正因为如此，“五四”表现论文学观念才获得了区别于西方文学理论和中国传统诗学中同类观念的话语特征。
The article uses the method of comparative poetics to conduct an in-depth discussion on the relationship between the concept of literature in the May 4th Movement and the influence of Western literature and art. The article holds that romanticism can not sum up the concept of performance literature held by the founders of the May Fourth New Culture. The concept of literature in the May 4th Movement of 1944 is the result of the interaction of Western literature and art trends with the needs of the times and traditional poetics. For this reason, the notion of performance literature in the May 4th Movement has gained a distinction from Western literary theory and Chinese traditional poetics Discourse characteristics of similar ideas in China.