在20世纪中国山水画史上,何香凝无疑是一个独特的个例。无论是她的经历、交往与身份,还是她的师承、取法与画风,都有别于近代以来诸多中国山水画流派。和大多数近代画家一样,她的一生也历经数次画风的转变,并深植于社会、政治以及其内心之变,嵌合在中国画的现代化以及现代中国的兴起这一整体的背景中。以往关于何香凝的讨论中,过多集中在她的政治身份与政治活动,在此我想尽 In the history of Chinese landscape painting in the 20th century, He Xiangning is undoubtedly a unique example. Regardless of her experience, contacts and identity, or her teacher, law and style, are different from the modern Chinese landscape painting many schools. Like most modern painters, her life has undergone several changes in his style of painting and has been deeply rooted in social, political and inner changes. It has been fitting in the overall context of the modernization of Chinese painting and the rise of modern China. In my previous discussions on He Xiangning, I concentrated too much on her political status and political activities. Here I tried my best