由于受到文人画审美观的影响,当代意笔人物画家多采用水墨淡彩的表现形式,认为色无功,水墨为上,色彩与笔墨的结合没必要也不会有很好的效果。所以他们多致力于笔墨与人物造型相融合的研究,在色彩方面的研究极有限。目前,意笔人物画还没有完整的色彩理论体系,画家们只是凭感觉和一些设色技巧、口诀来使用色彩,这就会带来很大的盲目性。在世界一体化进程加快、视觉图像如 Due to the aesthetics of scholar painting, contemporary painters and painters mostly adopt the forms of light and dark painting, and think that the combination of color, ink and wash is not necessary and will not be effective. Therefore, they are more dedicated to the study of the integration of brushwork and figure modeling, and the research on color is very limited. At present, there is no complete system of color theory for painter’s portrait paintings. Painters only use colors based on their feeling and some color-setting techniques and formulas, which leads to great blindness. As the process of world integration accelerates, visual images such as