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追根溯源,表演可以说是与人类文明的进程始终相依相伴。人们在慑于自然伟力的惊骇中崇拜图腾、祭祀神明,人们在感知生死的苦痛中咏唱生命的顽强不屈,在慨叹命运的无常中幻化躯体的绮丽多姿,山川万物的壮美也囿于人的顶礼膜拜而灵动。人类自觉与不自觉地模拟和演绎着生活。从祖先走到现在,表演是人类表达思想和抒发情感的一条不可或缺的路径。及至出现了斯坦尼斯拉夫斯基、布莱希特、梅兰芳,鼎足而立。从此,界定了表演的流派风格,亦有了专属的名词规范。
Tracing the source, performance can be said that the process of human civilization has always been dependent on each other. People worshiped totem, sacrificed their gods in horror of natural Weili. People chant life’s indomitable spirit in the pain of life and death. In the sigh of fate, impermanence transforms the beauty of the body, The worship and clever move. Human beings consciously and unconsciously model and deduce life. From ancestors to present, performance is an indispensable path for human expression of ideas and expression of emotion. Until the emergence of Stanislavski, Brecht, Mei Lanfang, Dingzu independent. Since then, the genre of the genre has been defined and there has also been an exclusive norm.