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反美主义是当今世界上最尖锐的思想问题之一。“冷战”结束后,美国谋求唯一的超级大国地位,将自己的意志强加给世界。“9·11”恐怖袭击以及随后发生在阿富汗和伊拉克的军事行动,不仅导致世界地缘政治力量的急剧变化,而且引起了全球各个区域反美情绪的高涨。尽管俄罗斯对美国的官方政策是高调而务实的,然而自发的大规模的反美主义暗流却像恶性疟疾一样不断涌动。由美国匹兹堡大学教授弗拉基米尔·帕顿诺夫和南茜·康蒂主持的题为“傲慢与妒忌”的研讨会,旨在讨论俄美之间根深蒂固的、历时悠久的恩怨,其题旨为苏联以及俄罗斯电影中的反美主义。在这个更加类似于心理分析,而不是传统的电影研究的主题中,蕴含着研讨会的一种谋略,它首先是并非常见的研究电影的方法论。
Anti-Americanism is one of the sharpest ideological issues in the world today. After the “Cold War” ended, the United States sought the only superpower status to impose its own will on the world. The Sept. 11 terrorist attacks and the ensuing military operations in Afghanistan and Iraq not only led to drastic changes in the geopolitical power of the world, but also caused the upsurge of anti-American sentiments in all regions of the world. Although Russia’s official policy toward the United States is high-profile and pragmatic, the spontaneous large-scale undercurrent of anti-Americanism surges like a malaria. A seminar entitled “Pride and Jealousy” chaired by professors Vladimir Patonov and Nancy Concord of the University of Pittsburgh, aiming at discussing the long-standing and long-standing grudges between Russia and the United States, For the Soviet Union and the anti-Americanism in Russian films. In a theme more akin to psychoanalysis than traditional cinema research, there is a strategy for the seminar, first and foremost a less common methodology for studying cinema.